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Sharon Porter Moxley, now of Santa Rosa, has written (with help from Susan Dregey) a wonderful book about growing up in the Whitethorn of the 1940s and ‘50s. It’s the kind of “sleeper” book that at first seems like a quaint little set of historical anecdotes, but the more you read, and the more you reflect on it, the more you realize there’s a lot more to it than local color. Among the Silent Giants: A Young Girl’s True Adventures is as much the story of a girl’s coming of age as it is a tale of mid-century Humboldt logging-camp life.

In the very first few pages, seven-year-old Sharon is introduced by her mother, Ruby, to a strange new man who is now her stepfather. “I want you to meet Al Sharpe. He lives in Whitethorn… I’ve a surprise for you.” Ruby had married him the day before. But since Al, owner of the Whitethorn Lumber Co., needs to be in Thorn, and there is no house yet available there to fit the whole family, Ruby leaves young Sharon with her Aunt Maude in Bull Creek. Maude seems as unlikely as her sister to do what needs to be done in the backwoods to feed a family, so Sharon takes her first steps to adulthood: she catches a young rooster and whacks its head off with the heavy axe, thus providing herself and her guardian a longed-for fried chicken dinner. Then she goes to her room and packs away all the teddy bears she associates with helpless childhood.

With all the boisterous masculinity associated with the tough life of loggers, it seems especially poignant that a young girl should have to act as both the adult and the man of the family, but it often comes to that amidst the sink-or-swim childrearing philosophy of Sharon’s world. She becomes, largely through circumstance, a very tough little girl; however, her bravery and willingness to go up against even the big boys in her community are balanced by her innate thoughtfulness and compassion. Far from growing up to be a desensitized brute, in fact, Sharon Porter Moxley became a school psychologist (besides developing her love of horses, kindled on her beloved Stardust and others, into a lifelong passion for horse breeding, training, and racing). Her writing has a mysterious quality of seeming to come directly from the mind of a pre-teen girl; adult commentary rarely intrudes. Still, the young girl’s voice varies from that of a practical jokester and stubborn survivor to a doubting brooder. Sharon lived the life, but kept her secret thoughts, many of which are now ours to contemplate.

Although Among the Silent Giants is set mainly in Whitethorn, there are intriguing descriptions of people and places in Eureka, Arcata, and Bull Creek. One of my favorite passages reveals a rare natural wonder near the mouth of the Mad River that she sees while on an early-morning fishing trip with her natural father, George Porter. Throughout the book, many details jarred my own memories of growing up in Maine when much of that state’s woodsy lifestyle was also based on logging; the catalog of smells alone—endless cigarette and pipe smoke, boozy breath, sawdust, teepee burner and pulp mill emissions, kerosene lamps and stoves, mildewy cold rooms—is enough to evoke the material essence of life in any American logging town from New England to the north woods of Michigan to the Pacific Northwest. However, the scale of the Coast Redwoods, and the nearly impenetrable denseness of our lush forests, may have made for an even tougher breed of lumberjack here than around Paul Bunyan’s original stomping grounds.

The book is illustrated with enough charming photographs, and enough details of the Doer and Porter family connections, that you can match the names with the faces and feel that you are getting to know the family– for instance, Grandma Blanche Doers, a tall, regal, yet often “blue” lady who raised three beautiful women and one tough logger, Sharon’s Uncle Allan. The reading experience is like entering a completely furnished world; the only problem is that the book ends. I would like to have kept on exploring those trails, watching the mysteriously alcohol-obsessed adults, riding those horses, and learning about the different walks of life even in a tiny town like Whitethorn, for much longer. (At 200 pages, it is not, however, a meager volume.)

I believe this book holds a wide appeal, and that I needn’t add “If you like local history,” or “If you are fond of childhood reminiscences.” However, if you are reading this blog, chances are you will be especially likely to appreciate it.

You can buy the book locally at about any local bookstore, or find it online at amazon.com.

Also, Sharon has a Facebook page for her book.

As a postscript, i want to include an email i received from Sharon when i wrote to congratulate her on the publication of her memoirs:

“I went to Whitethorn a couple of weeks ago and was floored to find it has vanished. They do have the green and white highway sign nailed to a stump but the buildings, with the exception of the skeletons of the grocery store and the post office, are almost completely gone. The school is still there and looks like it is alive and well but it must serve people from out in the mountains.
“I had a hard time finding where my house used to be. I only discovered where it was by locating a nearby creek that ran by our yard. My step-father’s mill (Whitethorn Lumber Company) was also gone, along with the church, the bar and my neighbors’ houses.
“I must admit I came more in touch with my own mortality that day. If my childhood town could die, my extinction seemed closer.
“On a good note the redwoods, tan oak and fir trees were thriving. They are back. Gone are the old slashings of my youth. Nature has replenished itself. It is beautiful.”

Note: i don’t have a category for “Photos” alone, since so many of these posts have a few. However, if you put “photos” in the Search bar above, you will see the blog entries that are basically just pictures– such as this one!

From an album given to us by Dayton Titus. This is only the second picture i’ve ever seen of the John A. Mackey store. It burned in 1903, so this is a very early photograph. Since the original was only about 2 inches in diameter, even this much detail in it (when blown up; to make it bigger, click on it, and click again…) is gratifying. The store was opposite the southwest corner of the Petrolia square.

Here’s another from the same page, same Titus album. I didn’t clean it up or Photoshop the scan in any way but to enhance the contrast… it was quite washed-out. But it’s a treasure, in that we only have two or three other views of this hotel, which was the one on the square. The structure must have been enlarged many times; i think this was the north wing, seen from the west; that is, it’s directly across from the present Petrolia Store. The main and original part of the hotel is to the right, on the southwest corner of the square.

A double exposure, probably accidental as nobody’s trying to look like they’re astride a horse; still, it does look like that one guy’s on a ghost horse, no? From the Titus album.

View northwest toward the hill at the end of Chambers Rd., which is the cliff above the narrow part of Conklin Creek Rd. There are a couple other pictures we have of this same view, from different times. This one shows a little more of the grazing area, perhaps giving more of a clue to the exact location of this enclosure. I believe it was between the curves of the road going down Shenanigan Ridge toward Petrolia, two turns below the present dump… land marked Mike Shallard on some of the very old maps. But i am not sure.

Old bridge not necessarily in the Mattole area (some of the pictures in Dayton Titus’s album are from Ferndale, maybe other places), but it could well be any of at least four in the lower Mattole (Honeydew and downstream) that cross between steeper, treed banks.

This picture was sent by Doris Long, the lady who knew the John W. and Florence Mackeys as a child. A nice view of the mouth of the river in 1941- ’42.

The story Doris Geib Long told, and several great pictures she sent, are here.

Lisa (Mrs. Laurence) Hindley sent these next few pictures. This is Joseph N.D. Hindley with a tamed fawn.

I can’t get my orientation right for this picture… are we looking upstream?

Another Hindley photo, of the structure for a straw barn at the family ranch in Honeydew.

Wind or lightning? Something felled this lone tree, but its regrowth is vigorous and beautiful. Thanks to Lisa Hindley for sending this and other photos.

Speaking of Hindleys, something tells me there might be some Hindley children in this group. Perhaps it’s a group of Honeydew schoolmates. The photo was in the Mary Rackliff Etter collection. I see some Native faces, and a few of the people strongly resemble those in other Honeydew group photos.

Jerry Rohde sent me this photo a couple of months ago. It is by Walter Burgess, a Petrolia-area photographer, and it was filed with the Bear River-Petrolia pictures at the Humboldt Co. Historical Society. We are wondering if anybody knows where this apparently beachfront bachelor’s cabin was located. I sent it to John McAbery, wondering if he had any ideas about whether it might have been a previous structure on the location of his home at Four Mile Creek, but he said No. Anybody?

Well, many more photos upcoming when i find the time.

(Edit/update on July 12, 2012: i am filling in the names of Doris’s parents: Ethel and Milt Geib. I hadn’t asked before, which was very remiss of me.)

Over the past quarter century, i have gone several times out to the coast, a bit north of Cooskie Creek, to the site of the old Mackey cabin. It was always an adventure to head out into the wind and sunshine, around the north side of Cooskie Mtn. and out Johnny Jack Ridge to where the jeep road falls so steeply that i never dared continue on the ATV. From this top-of-the-world point, you can look seemingly straight down to the tiny sight of the cabin just above the sea, and can also locate, in the middle of a sizable fenced corral some distance south and inland of the cabin, what we called the Mackey Barn. The barn was up on a flat several hundred feet above the cabin level, close to Cooskie Creek, and it was still a walk of about a mile seaward to the cabin. (In consulting maps as far back as the 1865 Doolittle, i see that the site of the Mackey Ranch was probably that of the old John Segrist place.)

But the cabin always drew me. It was awesomely dilapidated, the windows empty of glass, the floorboards rotted out, surfaces powdery with dust, mouse chewings, and droppings from various small creatures. But there was a large window opening in the kitchen, looking directly out to the ocean. I wondered what it would be like to work in that kitchen, hearing the relentless wind howling outside while gazing at the infinite horizon from the snugness of this minimal space.

Outside were the remains of several outbuildings, rotten fence posts, old wheel and horse-path ruts; but the thing that intrigued me was the patch of Red-Hot Poker flowers near the cabin, and a bit further north up the beach, on the brink of a craggy cliff, a single agave cactus. I felt sure a woman had lived here, and planted those exotics. I think there were daffodils, too, in the Spring. Who was this woman—and what was it like to live in a place as wild and beautiful, but lonely, as this?

ImageThe Mackey Ranch, early 20th century. Photo from the Mary Rackliff Etter Collection.

The latter question was posed to present-day beach dweller John McAbery by a San Francisco Chronicle writer earlier this summer. The article described the life of a diligent artistic couple, woodcarver John and his partner Gretchen Bunker, in their own hand-built cabin at the mouth of Four-Mile Creek. (The comments section after the main article was as gratifying to me as any part of it, because nearly every one of about 100 writers expressed envy and admiration, and several conveyed eye-rolling wonder that anybody could handle such a lonely life so far from the comforts of civilization.) Well, a lady named Doris Long, of Alameda, caught the article and was moved to send a letter and some old photos to John and Gretchen. She had been friends with the Mackeys and visited the cliffside cabin in the early 1940s, when she was about six years old. Another visit brought her back to Petrolia in 1949, and there are photographs from that trip as well. John and Gretchen forwarded the pictures to the MVHS, i contacted Doris, and here we have her tales of John W. and Florence Mackey.

Doris Geib, born in 1935 and growing up in the east Bay Area, knew the Mackeys from the time she was small. Florence was her father’s secretary at the Don Lee auto dealership in San Francisco… apparently, at that time, she and John lived in the city but maintained the ranch remotely, spending time there in the summers or whenever possible. Of all the people her parents entertained, Doris says “The Mackeys were just my favorite people. They were the only ones I willingly gave up my bedroom for… they paid attention to us. They were fun people! They came and stayed with us in Burlingame a few times and then after John died, Florence came more often. Of course, as a little kid I didn’t ask them any questions about their lives.”

But her childhood memories of them paint a warm picture. Let me begin by quoting from the letter Doris sent the McAberys: “I read the article about you in the SF Chronicle last Sunday and it brought back many memories of my trip to the area where you live. Our family friends, John and Florence Mackey, owned a ranch on the coast. The enclosed pictures were taken on our trip over 70 years ago!! The Mackeys had a home in Petrolia, right on the river, and Florence spent most of her time there. John ran cattle on the ranch and spent most of his time out there. When Florence needed to get a message to him she called the Punta Gorda lighthouse and they raised the message flag that John could see from his house [down the coast a couple of miles; binoculars helped]. They had no children but I am sure if there are any really oldtimers around they would remember the Mackeys.

“There were no roads out to the ranch so we had to get there by horseback. They would watch the tides and at low tide we would get out and go along the water. Sometimes we would get caught in a cove and have to wait for the 7th wave to get around the point of land. Many years later John put in a Jeep road overland. Of course, their ranch house was really kind of primitive. I remember the outhouse was facing the water and it had no door on it because when you were in there it was the farthest point west… and no one was going to be passing by!

“One of the things I remember most was when we were staying in Petrolia, every morning Florence sent my brother and I out to catch trout for everyone’s breakfast. I could catch them but was a little squeamish about baiting the hook so my brother did it for me. We would catch a bunch of trout and Florence would
clean them and fry them up, they were delicious!! Also, John brought in some abalone and it was the first time I had ever tasted it and have been a fan ever since. Too bad I can’t afford to eat it these days! (Doris later mentioned that ‘One other memory I have is when John brought home abalone. Florence said the only way to fix it was to beat it with an empty beer bottle. My nephews used to go abalone diving and my Mom always beat the abalone with a beer bottle!! Although she never drank so she had to make the effort to find the right bottle.’)

“Enjoy your life in what the Mackeys used to call ‘God’s Country’.”

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John and Florence Mackey in front of their Petrolia house, 1941 or ’42; Eddie, Doris, and their mother Ethel Geib.

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The nice borrowed car and Doris, her brother Ed, and mother on the bridge crossing the Mattole on the way to the beach.

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Doris’s dad Milt Geib crossing on the bridge, which was replaced in 1957 by the present span near the old Hideaway.

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Not sure which creek this crossed; maybe East Mill Creek?

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Beginning the trip: on the beach perhaps at the Punta Gorda Light Station gate? From left, Florence Mackey, young Doris, John Mackey the cowboy, Doris’s mom Ethel, and big brother Ed.

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Watering the horses at a springbox.

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Doris and dad relaxing at the mouth of a creek, heading down to the Mackey ranch and cabin.

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Out on the ranch, in a section accessible by truck.

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Eddie in somebody’s hat, Doris, and don’t miss the little fawn!

Doris and i spoke on the phone and she filled in some of the details. Her family made the trip up to Petrolia in 1941 or ‘42, when she was about 6 and her brother Ed, who recently passed away, about 10. Doris noted that now that Ed is gone, she is the only one in her family with any memories of the Mackeys left. Since her dad worked for Don Lee, who specialized in Cadillacs, the car they drove up (and pictured here) was a very comfortable and luxurious vehicle borrowed from the dealership. We couldn’t pinpoint exactly where the Mackeys’ Petrolia house was, though i’m pretty sure it was either just downstream of the end of what’s now called Old Coast Wagon Rd., or on Conklin Creek Rd. at the mouth of East Mill Creek; perhaps these pictures or somebody’s property title will give a clue. Florence didn’t go out to the cabin much, but she did make this trip with the Geibs. John went down the beach by horseback in those early days. Doris’s mother would not get onto a horse, and she walked the whole distance to the cabin via the mouth of the river, a journey of several miles and over varying terrain. (That excursion, and a visit to Yosemite, were the only two times Doris remembers her mother wearing jeans.) When they got to a steep part of the trail, Flo told Mother, “Hold on to the horse’s tail!” for a little lift.

Doris’s family had quite a collection of Japanese glass floats, which they got from John and Florence. Eventually they were all given away by Doris’s father, though.

One of the strongest memories Doris and her brother held was of the fawns that Florence raised out at the cabin. John would find them out on the range and bring them to Flo, who’d raise them, then release them when they were big enough to return to the wild. The cabin, Doris remembers, was small but did have that window where you could stand in the kitchen and look out at the ocean. There were no interior doors. One time, Doris’s mom took a nap in the bedroom with the doorway blocked by a chair and some boxes; one of the fawns backed up, took a run, and leapt into the bedroom. Mother immediately woke up and cried, “It’s not house-trained; why is it in here?”

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This and the following shot are of Florence with her pet deer. The photos were taken in 1939, and given to Doris’s family.

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Doris remembers the Mackeys joking with her about shyness in using the doorless outhouse: “Who’s going to look at you, the Chinamen?” However, a steer or bull did come and stare at her during her usually solitary operation.

John W. Mackey was a big, lanky man, tall and thin. Of course, Doris says, she was impressed that he was actually a cowboy! He loved to joke and tease. Both he and Florence loved to drink. In fact, Doris believes he died of cirrhosis of the liver. He was lying in a hospital, dying, and he asked for a bottle; Flo passed it in through a window then came around to visit and drink with him. He said, “Be careful not to let the nurses see it,” but by then, everybody knew that it really didn’t matter anymore.

Flo drank boilermakers; she would drink all day and never seem to get drunk, never slur her speech or in any way dismay the kids. She’d get a beer and put in a shot of her own liquor, which she always brought when she visited Doris’s parents. “You don’t need to buy my booze!” she told them.

About eight years after the first trip to Petrolia, when they all went to the cabin, the family returned to Petrolia; but this time, Doris’s father went to the ranch accompanied only by his sister-in-law Vera and John, while Doris, 14, Eddie, 18, their mother, and Flo stayed at the Mackeys’ Petrolia place. Aunt Vera from Virginia was visiting California to see Doris’s grammar-school and Ed’s high-school graduations. When the men were about to depart for the cabin, Flo tucked a bottle of booze into Dad’s vest pocket. As the group was rounding a rock on the beach, a surprise wave knocked him up against the cliff. The others yelled, “You didn’t break the bottle, did you?”

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The return trip in 1949: back row, father Milt and brother Ed; front, Aunt Vera, Florence Mackey, mother Ethel, and Doris. There was another shot, not quite as clear, showing Doris’s pantlegs; she wrote, “I had to laugh when i saw that I’d rolled up my jeans just like Florence wore hers!”

Well, my original idea of a woman living a lonely life by the sea was not in the least accurate; Flo was a warm-hearted, fun-loving gal who wouldn’t have chosen that kind of isolation. I don’t know, but still imagine, that she must have planted the flowers though.

Many thanks to Doris Geib Long for these pictures and precious stories; and to John McAbery and Gretchen Bunker for passing them on.

 

A little Mackey family history: There were three John Mackeys in Petrolia history. The first was John A. Mackey, brother of Patrick Mackey, who emigrated here from Nova Scotia and Ireland, respectively. John A., born in 1938, married Honorah O’Leary, sister of Patrick and Cornelius O’Leary. Together, John and Honorah had at least nine children, of whom four died in 1880’s Scarlet Fever epidemic. One of the survivors was John Joseph Mackey, born in 1878. He married Nellie Kathryn Funge, born in Utah in 1875 of an Irish father and genteel mother from Ohio. The senior John and his son John J. ran the Mackey Store across the street, south, from the end of Sherman St. (which runs in front of the present Petrolia Store). The Mackey Store burned in 1903.

Nellie K. and John J. Mackey had three children: Nell K., later Mrs. Wyllis Young, 1907 or ’08 -1991; Mildred Margaret, aka Molly*, 1905 or ’06-sometime in the 1960s; and John William Mackey, born 1903 and died in the 1950s.

This John W. Mackey married Florence Lenora Anton in the 1920s. Florence’s father was Scottish-born James Anton, and her mother Florence Lenora Crain, from Missouri. Flo was born in Fresno in 1907. By 1930, John and Florence were married and living in Alameda; John was a paper salesman. They never had any children of their own.

(Doris remembers Florence as essentially a city girl, though she loved Petrolia. She used to come down to San Francisco a lot, even after the couple was living here in the Mattole. However, she did like to wear boots, which was unusual for women in those days.)

Florence died in San Francisco of lung cancer in 1968. She returned to Humboldt County to be buried in St. Bernard’s Cemetery, Eureka.

.   .   .   .   .   .   .   .

* Note that Molly, or Mildred Margaret Mackey, later became Mrs. Don Roberts, and lost her husband and son in a drowning accident; then she became Molly West through a later marriage. One of her loves, i was told, was the Clark man who died in a Jeep rollover out in the Cooskie range. I have a few pictures of her, and several people have asked me about her. If anyone has any stories to share about Molly West, please let me know. I heard that she, like her brother and sister-in-law, loved the bottle. She kept herself pretty soused until the end, which came of a pill overdose in a Eureka motel room. Who could blame her, though, with the trouble she’d seen.

 

Well, his picture anyway!

I got an email from a Joel Tobman, an designer/engineer in Calgary, Alberta, concerning a photograph of Jack (C.E.) Wright (father of Curly and Rae Wright and Louise Wright Goff) that he’d found on this blog– click here to see the original. Joel wanted to use this picture of Jack in a photocollage for a movie they were making, and for which he is the Assistant Art Director. The photo was from the Mary Rackliff Etter collection, so after asking Mary’s daughters Helen and Jeannie about it, i went ahead and told him to use it.

After working with the other elements of the collage, Mr. Tobman said it looked like the photo would work– “Mr. Wright is definitely going to be in the movie, I bet he never would have imagined that!”

The movie, based on a true story of a family and community pulling together to rescue a pair of abandoned and snowbound horses (and just happening to contain the name of a Bear River family), has gotten a lot of press coverage, as you can see if you google its title. It will star Aidan Quinn. Here is the top article on the google list, from the Calgary Herald. The Horses of McBride looks like something i, for one, would love to see.

Some of the elements were “a photoshopped cabin from the Glenbow Archives, a background photo from our set location, some furs and a woodpile, and of course Mr. Wright (or Grandpa, as we like to call him since he would be our main character’s grandfather…).” Here is Jack, transported to Canada:

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The photo of Grandpa from The Horses of McBride, courtesy Joel Tobman

I asked Mr. Tobman how we might get to watch the movie. He said it was airing around Christmas time on CTV, and suggested we go to www.ctv.ca to find out if there’s information about watching it online as December approaches.

Here is a continuation of Grace Hunter’s memoirs, which i first posted on September 5, 2011–click on this link to read the introduction. Grace, daughter of George Walker Hunter and Ida Ellingwood Hunter, was born in 1895, so would’ve begun school around 1900 or 1901. At the end of that first post, she had just been writing about starting classes at the old Petrolia School, located near the site of the recent (and soon to be again) Yellow Rose Restaurant.

 

In each classroom was seated about 60 pupils. The teachers were very efficient and helpful, but very strict when it came to behavior—they each had a large whip they were forced to crack at times, but I’ve never known them to have to use it because the parents in those days knew the teachers to be fair and they cooperated.

The exams at the end of the year came sealed from the Superintendent’s Office in Eureka, so we had to be thorough in all lessons or else it wouldn’t only look bad for the child but for the teacher as well. If a pupil needed help, it was generally demonstrated on the blackboard which ran the length of the room behind the teacher’s desk, either by a pupil or the teacher. I remember three of the older girls had taken a large shoe box and made a doll house with cardboard and colored tissue paper. We could each have a look inside for one straight pin or three looks for a safety pin.

There were children from the following families in attendance: The George, Elias, and Johnny Hunters; Lucian and Marshall Wrights; William Clarks; Charles Johnstons; Jacob Dudleys; Fayette Titus’s; Martin and Albert Boots; Patrick O’Learys; Weaver Denmans; Charles Goffs; William Rudolphs; Fidel Guglielmini’s; William Belloni’s; ____ Saunders; Henry Duffs; James Harts; Frank Gouthiers; Levant Cooks and nephew and niece—the Fruits—who made their home with the Cooks. The families were large, mostly ranging from 8 to 12 children.

What a wonderful time they all had to gather on Fourth of July picnics, dances, parties, and midnight suppers in the Petrolia Knights of Pythian Hall. Mothers stayed up to finish making pretty tucked and ruffled dresses the evening before these occasions sometimes until two o’clock a.m. Dress goods at that time ranged from 10 cents to 25 cents per yard, stockings from 5 cents to 15 cents per pair depending on the size, shoes from 25 cents to $1.50.  Dress shoes, if you could afford them, were slightly more, hats were from 15 cents to 50 cents. Children’s underwear for most families were home-made from bleached flour and sugar sacks as were some curtains and pillowcases.

Most of the furniture was homemade—the chair seats laced with rawhide strips that our fathers had tanned from hides. The mattresses were made of strong ticking and filled each year with fresh straw and laid on hand-split boards. Feathers were always saved for pillows.

Long benches were placed on each side of a long table with a chair at each end.

The women’s blouses had long sleeves and high collars and were worn inside the skirt band—the long flared skirts stirred dust on the bare floors as the women walked. Petticoats were heavily ruffled at the bottom—their shoes were high-laced.

Because of the food my father George Hunter raised and the wild game and fish, it cost but $100 per year for flour, sugar, kerosene, coffee, and a few other necessities. Meat and fish they smoked, dried, salted, and canned. Two-quart jars with old-fashioned lids and rubber rings held the winter supply of food including jelly, jam, preserves, and fruit butters.

The Mattole Valley was beautiful in those days with the large painted farm houses with locust trees, moss and tea roses—including many old-fashioned shrubs and climbing vines. The heavenly aromas that came from the kitchens tickled the noses of anyone who chanced to be around. And the large orchards were beautiful and enchanting as we watched the blossoms and the baby birds in their nests among the branches—with their mouths wide open waiting for a worm from their mother. The songs of the many different birds were enchanting especially the meadow larks with their loud distinctive warble.

The barn was large and boasted a blacksmith shop at one end where us kids at times would work the billows to liven up the fire for our Dad so it would soften the metal he wished to hammer out and shape. The barn was our playground during winter weather—the rest of the year, we did what was needed to be done whether it was pulling mustard from the large oat field, picking wild berries, or cutting and stacking wood.

I remember distinctly my mother tying a large wooden dry goods box to a sled that my brothers Ray and Ira had hitched to a gentle mule and horse, and with my younger brother Donald and the twins, Russell and Blanche—who were then around one year old—placed in the box with our lunch and a bundle of diapers; and we were off for the day, the boys to cut and stack willow wood up the north fork and I to care for Donald and the twins while Mother, Levina, and Dora—the eldest—baked and cleaned house at home.

We learned responsibility young in those days for the families were large and there was much to be done and money was hard to come by. If we had holes in our shoes and patches on our clothes, we knew that many of our school mates had the same problem. Most of the boys went barefoot and the soles of their feet were as tough as leather. Our fathers had what it took to half sole and mend shoes and our mothers taught us early in life to darn stockings and socks and mend our clothes. We were always grateful for what they taught us. It gave us self-reliance for we were an ambitious bunch—when my two older brothers and I weren’t helping with those younger than ourselves or doing chores of some sort, we were making stilts, bows and arrows, sling shots, toy wagons, sleds and boats. Having no sisters close to my age, I became a real tomboy—I even learned to whistle fluently—which my mother didn’t approve of and she told me that “whistling girls and crowing hens always come to some bad ends” which in plain words meant unladylike.

When I was eight years of age, I contracted typhoid fever and pneumonia at the same time. Our local doctor stayed beside my bed for three days and nights while my life hung at a balance. After I passed the crisis the two school teachers and neighbor ladies took turns with mother for a short time. My sisters gave me rag dolls they had made and dressed, my brothers—with eager and happy smiles—gave me a whistle they had made from a willow branch. They said “Now Tis (my brother just younger than me couldn’t say Grace so Tis became my nickname for many years)… if you want something just blow the whistle.”

It was nothing to see from twenty to forty deer in one place and quail, robins, and blackbirds were so plentiful all you had to do was aim the shotgun at a bunch and you had enough meat for a family meal. Many times Dad found baby wild animals on the range that had lost their mothers, perhaps to a hungry wild animal, which he brought home and we fed, cared for and loved until they were old enough to fend for themselves. Then Dad insisted that their rightful place was with the other animals and we let them go. It didn’t take long to catch thirty trout in those days either.

Then there came an epidemic of diphtheria and a few people died. Two were Charles Goff’s daughters, Grace and Agnes. [1902- ed.] We saw Halley’s Comet with its long tail a few evenings and we thought it was really something to see. [1910-ed.]

There were times when we would all go with Dad in the spring wagon. Mother would make a large potato salad and sandwiches, put in a fry pan for trout and a bowl for wild strawberries. The boys would fish and the girls pick berries and a tasty lunch was served at one o’clock which was the time when Dad rode back on his saddle horse which he always tied behind the wagon when he had to ride the range and see that all was well with the stock and fences, whether it was near the mouth of the Mattole River or at Davis Creek near the beach farther north. Always our black trained Shepherd stock dog followed him. It was a sad day for us all when the dog was missing for a while and then we saw him laboring hard—blood was staining the water from his hindquarters and floating downstream. He had not only been a stock and watch dog, but our staunch friend and protector. He had been shot with a shotgun so badly that our father had to kill him to stop his misery. We all felt bitter toward a person who could do that to a dog that would hurt no one unless they hurt him or one of us.

It wasn’t long from that time that we moved from the large stock ranch to a small place across from the church where we lived for a few months until Mother and Dad bought Grandma Ellingwood’s 160-acre parcel called Shenanigan, four miles southeast of Petrolia, for around one thousand dollars. [This is now the John and Glenda Short place—ed.] My youngest brother, Lewis, was born there April 5th, 1906. Five days later we experienced a very hard earthquake. [This must have been the great San Francisco quake, which occurred on April 18, 1906. –ed.] It was early morning and daylight was showing outside. Mother had left the kerosene lamp burning low all night so that she could see to care for the baby. It crashed to the floor breaking the chimney. Dad jumped out of bed and grabbed the lamp fearing it might start a fire. He cut his bare feet on the broken glass in the struggle to keep his footing. After he reached the outside door and threw the lamp outside, he looked up and saw the large fir trees swing and their tops hit the ground first on one side and then the other. The beds with casters rolled over the bare floor with us in them, which tickled us afterward at the thought of it. In the old-fashioned narrow pantry, there were broken dishes, sugar, butter, bread and other things that happened to be on the shelves, all on the floor with milk and cream from six pans spilled over them.

The Petrolia school and a few other buildings tipped backwards so we had classes in the church until a new school house was built. The earth shook so hard the dirt from a cliff slid down and made a dam across the river and there were slides the width of the road.

 

There is more to come from Grace.

           

More random photos

Here are some more pictures i like, from various sources as credited.

The J.A. Dudley place, two miles upstream from Petrolia. From the Hum. Co. Dept. of Public Works, possibly donated by Lyn Chambers

Jacob Allen Dudley, a son of James Newton Dudley (who had the sawmill at the mouth of East Mill Creek) owned land in the SE quarter of Section 11, T2S, R2W… that is, across the river, roughly, from where Alex Cockburn now lives and perhaps on the spot once called “the Raiches place” where Sterling now has a trailer. George Cummings had the land by 1911, and later it was marked Sam Adams. Probably this was Samuel F., or Frank, Adams, who was married to Addie Maud Burgess. Her brother was the photographer who took this photo. It’s a good one to zoom in on. I love the detail… how very tidy the buildings are, and how much work must’ve gone into felling those trees.

The Petrolia Hotel after the 1906 earthquake. Photo, by Eakle, from the online Bancroft Museum collection

There were other pictures of a “Petrolia Hotel” on the Bancroft site, but it turns out they were taken down south, not in a town named Petrolia, but maybe in the Coalinga area. However, i am pretty sure this is our hotel, the one that was on the path south from the square toward the cemetery. This back (west) wing is an addition since some of the earlier photos, but must have been rebuilt after the earthquake damage, for in the photo below, eight years later, it is a full-on two-story extension.

Downtown Petrolia looking south-southwest, 1914. Courtesy Dave Stockton

You can see the Reynolds place (later the Maude and Gib Langdon place, up near Mary Etter’s/now Jim Groeling’s), the bright white hotel with its back “ell” off toward the west (right), the corner saloon, the old Rudolph, then Hunter, store; the Hart and Johnson store, which burned down in the 1992 earthquake; and the livery stable on the site of today’s Fire Department.

Honeydew School in 1915, courtesy Tom Slack, son of Janice Peers Slack

Another beautiful old building that went down. Janice Peers’ mother, Verna Hawley Peers, was a teacher there in 1915 (see previous post about Shinn house). It was on what’s Alex Moore’s place now, the old Shinn home… or at least, the schoolbuilding’s ashes are. I heard that when he learned that we knew it was there, Mr. Moore torched it immediately lest the Preservation Police came and took away his rights. Pretty unlikely considering it was already just a pile of rotten wood…

And speaking of schools:

Mattole Union School Chorus, 1934, courtesy Velma Hunter Childs Titus


Front row: Bernardine Hunter, Gwen Fox, Dora Mae Clark, Carmen Davis (Gill), Velma Hunter.
Back row: Barbara Albee, Doris Johnston (Clark Loudermilk), Ellen Reynolds, Elaine Albee, Virginia Hunter.
I would like not just a picture, but a recording of their voices raised in song!

Cape Mendocino, from an old postcard print. Courtesy Hum. Co. Dept. of Public Works

An oldie but goodie. Note the wooden fences following the winding road up “the Wall.”

An Upper Mattole mill, by George Post, 1936. Courtesy of Carlin Christensen

Carlin Christensen emailed me this bright picture today. He says he is not sure of the location, but it’s somewhere between Roscoes’ and the Grange… perhaps it was the Willings Mill, at the Trout Farm (recently the Hoyles’)? Carl expressed hope that someone seeing this photo might recognize the place. (On second thought, the Willingses were there in the 1950s logging boom… though perhaps the place had held a lumber mill before they became the owners.)

George Post, 1906-1997, was a well-known California watercolorist. He was born and died in Oakland. Here is more information if you are interested: http://www.calart.com/Data/featured/George_Post.asp

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